1. Best Free Vst Plugins
2. Best Vocal Processing Plugin Vst

Waves Audio has a bunch of plugins designed specifically to save time in the studio when mixing vocals.

Nomad Factory are yet another audio development company with an incredible range of VST effects and plugins. Their reverb “80’s Spaces” brings the warm, hypnotising reverb sounds of the 80s into the modern plugin era. One of best things about this plugin is the small visualizer on the left hand side of the interface. Best Vocal Synth VSTs Plugin For 2020. Have you ever wondered how Peter Frampton and other musicians have been able to create an electronic-sounding vocal? The answer is often a vocal synth effect. This effect lets you transform regular vocals into electronic sounds. The best vocal synth VST plugins allow you much creative freedom. The obvious answer is the Antares Autotune. While it’s the best vocal VST plugin out there, not everyone can spend $400+ on just 1 tool. That’s why I present you MAutoPitch, one of the best Auto-tune alternatives around. It lets you correct sour notes, fix pitch, and even add the iconic T-Pain effect (just max the tuning and the speed).

One of the best free VST plugins for budding EDM, hip hop and trance producers, Acoustica Nightlife comes loaded with beat–synced arpeggiated patterns and bone-rattling basses. Not to mention, it also boasts plenty of evocative preset patches for those who don’t like to fiddle around. 17) Brain Control Tunefish 4. W.A Production Vocal Compressor is tailored, and specific to Vocal recordings, it features a compression chain that’s transparent, balanced, and adds a subtle flavor, color, and grit to make vocals sit perfectly & steadily in a mix. The way it works is that it passes the audio signal through 3 distinct types of compressors to tame troublesome peaks, balance dynamics, and add saturation.

Best Free Vst Plugins

For this reason (among other reasons), they’ve become an industry standard, and many people know it.

So in this guide, we’ll go over the best Waves plugins for vocals….

… we’ve done the research so you don’t have to.

Quick answer: when it comes to the plugins Waves offers for mixing vocals, there are so many, and each offer different specified features you can use.

That said, CLA Vocals from Waves Audio is sometimes referred to as the one plugin you can use for vocals if you could only choose one.

Make sure you take a look at the others below for other choices specific for what you might need.

Let’s take a closer look 🙂

Table of Contents

• Waves Vocal Plugins Buying Guide

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Waves Vocal Plugins Buying Guide

Common Types of Vocal Effects

You might be surprised to know how much effects are applied to vocal tracks in your typical pop or rock production…

Although much ado is usually made about “clean” and “natural” vocals, most songs would sound pretty boring if the vocals weren’t unprocessed in some way.

Compression

Compression is one of the most commonly applied vocal effects. This serves to balance out the levels in the audio, preventing the peaks from clipping the circuitry and letting softer sections be heard over the music.

Read more about how to compress vocals.

Equalization

EQ is also frequently applied in order to enhance the tonal character of the vocal. In some cases, dynamic EQ is used to reduce brightness or bottom end in some sections, while boosting the same in others.

Effects

Other effects that may be applied to vocal tracks are reverb, delay, chorusing or doubling, or even distortion or modulation effects. Unless you are going for a harsh industrial vocal delivery however, effects are best applied judiciously, and always in the service of the song.

Read more about mixing vocals.

Why You Need the Right Plug-ins for Mixing Vocals

One of the reasons why you’d need any kind of plug-in is to make certain aspects of your recording stand out above the rest. And since vocals arguably are the most important aspect of a song, it makes it easier for vocals to be heard over the instrumental background if you apply the right effects or dynamics plugin.

Effects may also be applied for creative reasons, as would be the case when going for a special effect, or treating vocals in a genre-specific manner.

Then of course, dynamics processors such as limiters and compressors are used to address specific technical concerns (ie. in order to prevent clipping or to allow of an increase in RMS levels), or for artistic or creative purposes.

Who is Waves Audio?

Not that any introduction is needed… but Waves Audio is an audio software company that makes the industry standard plugins for music production. They’ve worked with a number of prominent people and companies in the audio industry over the years to develop audio tools and modeled emulations of hardware processors. They were even honored with a Technical Grammy Award in 2011 for its “contributions of outstanding technical significance” to the recording field.

However, the objective of this guide is not to “push” Waves plugins. If you check many music production and audio engineering forums, the question as to what Waves plugins are best for vocals always arise…

To settle this once and for all, and to make it easier for those that want to know, we’ve put together a buying guide to instruct you on the best choice to make among Waves Audio’s massive collection.

With that said, let us begin 🙂

The Best Waves Plugins for Vocals

CLA Vocals

CLA Vocals is an all-in-one vocal processing plug-in developed in collaboration Chris Lord-Alge, who is an award-winning engineer. It was designed to aid in vocal mixing using Lord-Alge’s very own effects parameter settings to so that users can produce quality vocal tracks in less time that it would normally take.

Six effects are include in the chain, helping you get your vocal tracks radio-ready with less effort as compared to standard vocal processing. This of it as your “instant Chris Lord-Alge” in a box.

Specs and useful features

• All-in-one vocal processor plug-in
• Developed in collaboration with Chris Lord-Alge
• Combines delay, reverb, and pitch modulation effects
• Tone controls for easy shaping of vocal tracks
• Multiple compression types for more control over dynamics
• Helps you achieve radio-ready sound quickly

User impressions

Like all the CLA plug-ins, CLA Vocals gets high marks from users for its sound and consistently results. For users that need polished, radio-friendly vocals quickly, this has become something of a go-to plug-in.

Although the CLA Vocals can do a great job of prettying up vocals in the majority of cases, some users found that it provides a little less control over certain parameters than they would have liked. While there is no doubt that it can provide all the sweetening that a vocal track needs most of the time, there are instances when a custom effects chain provided superior results.

Bottom-line

The CLA Vocals is pretty hard not to like, especially for its price. For perhaps 90% of all vocal-related processing applications, this could be the only plug-in you will need. For the other 10% of the time however, you might be better off rolling your own vocal processing chain using your DAW’s native plugins. Even so, we can heartily recommend the CLA Vocals as a useful addition to your sonic toolbox.

Demonstration

Aphex Vintage Aural Exciter

The Aphex Vintage Aural Exciter is modeled after the original Aphex hardware processing unit. Developed in association with Aphex, the plug-in does a good job at capturing the character of the original hardware device, adding presence and brilliance to even the dullest audio. The Aphex Vintage Aural Exciter is equally suited to vocal and instrumental tracks, making them stand out in a mix without the need for excessive EQing.

Specs and useful features

• Modeled after original tube-powered hardware processor
• Developed in association with Aphex
• Adds brightness, vibrancy and depth to audio
• Increases presence without increasing levels
• Suitable for vocals as well as instrumental tracks
• Mix and AX modes for insert or send configurations

User impressions

Users that have experience with both the original Aphex hardware unit and the Aphex Vintage Aural Exciter mostly have nice things to say about the plug-in. Although it can handle most any type of audio pumped through it, the plug-in has an especially attractive quality on vocals. In fact, most users that have used the Aural Exciter for vocal processing simply refuse to mix or master a track without it, citing the wonderfully ‘present’ sheen it provides.

Bottom-line

The Aphex Vintage Aural Exciter is one of those plug-ins that can be easy to overuse f you’re not careful, simply because it just sounds so good. With its ability to add life and vibrancy to even the dullest tracks, it is just way too tempting to slather it all over everything, resulting in a harsh and brittle sound. If you can manage to use the plug-in in moderation, it could be quite a potent ingredient in your recipe for vocal perfection.

Demonstration

Vocal Rider

The Vocal Rider is a vocal and dialog leveling plug-in that adjusts the level of vocal tracks automatically. It has the ability to limit the dynamic range of audio without introducing artifacts, so it saves considerable time and effort in mixing down vocals and making them stand out in a mix.

The Vocal Rider also allows for the drawing of the slider adjustments into an automation track in the DAW, enabling finer control over the level.

A Live component with Spill control is also included, which detects and processes just the vocal part alone without affecting the music or background audio.

Specs and useful features

• Automatic vocal and dialog leveling
• Automation of vocal parts speeds up mixing
• Writable to automation track for fine tuning
• Real-time processing
• Zero latency and no need for pre-scanning
• Vocal Rider Live component

Best Vocal Processing Plugin Vst

User impressions

If there is one thing about the Vocal Rider that makes users almost fanatical about it, simplicity would have to be it. Many users are absolutely smitten with how easy it is to automatically control vocal levels with the plug-in, citing its great value as a timesaver in the studio.

The Vocal Rider is especially popular among those that want the dynamic limiting effect of compression without the artifacts that compressors can sometimes leech into the sound. For these users, the Vocal Rider is a more transparent and natural-sounding solution that often negates the need for a separate compressor.

Bottom-line

The Vocal Rider is such an amazingly simple plug-in in concept that you have to wonder why no one else has ever thought of it before. For the price, you simply can’t do better than this plug-in if you are after natural and musical volume leveling.

Demonstration

Renaissance Vox

One of the most powerful and versatile compressors in the Waves product line, the Renaissance Vox has been optimized specifically for processing vocals.

The controls you get for compression, gating and expansion, limiting, and level maximization are simple yet effect.

With this plug-in, producing polished-sounding vocals can be done with minimal effort.

Specs and useful features

• Combination compressors, gate, limiter, and level maximizer plug-in
• Soft-knee compression
• Auto make-up gain
• Gentle downward expander for gating noise
• Optimized for vocals
• Peak hold indicators for instant visual feedback on signal peaks
• Clip-Guard Output Limiter prevents clipping

User impressions

The Renaissance Vox has quite a surprising number of devotees, with lots of audio engineer forum users referring this as their go-to choice, which is all the more remarkable considering how long it has been around. The plug-in clearly appeals to those that live by the tenet: “If it ain’t broke, don’t fix it!”

In any case, most of the complimentary reviews of the Renaissance Vox make mention of its utter simplicity and straightforwardness, which is especially impressive given the amount of control available. For many users, the plug-in suffices for most vocal processing applications, with the added benefit of usability for a variety of instrumental tracks.

Bottom-line

The Renaissance Vox is another time saving plug-in that makes quick work of producing polished and radio-ready vocal tracks. If there is anything negative that can be said about it, it is that it sometimes imparts a sort of metallic quality to the top end. But even this can be seen as a unique, distinctive, and not-wholly-undesirable characteristic. In any case, the Renaissance Vox is well worth adding to your plug-in tool chest, even if you already have a bunch of other compressor plug-ins.

Demonstration

Renaissance Compressor

This a multi-purpose compressor that is equally effective on individual tracks as it is on entire mixes, the Renaissance Compressor also works remarkably well on vocals.

“Warm” and “present” are among its most defining sonic characteristics, yet it can be as transparent as you need it to be for natural vocal treatment.

Specs and useful features

• Two compression modes: Vintage Opto and modern Electro
• Internal brickwall limiting prevents clipping
• Auto Release Control (ARC) allows increase of RMS levels
• Double precision bit resolution processing
• Up to 24-bit/192kHz resolution
• Mono and stereo components

User impressions

The Renaissance Compressor seems to attract an equal number of users that praise it for its transparency and those that rave over its distinctive sonic character. Perhaps it is a testament to how versatile it is that people of seemingly different tastes and priorities keep finding uses for this venerable plug-in. As it is, this particular Waves classic is a favorite for vocal processing, but it can quickly switch roles and deliver punchy drum, bass, guitar, and piano tracks at the drop of a hat.

Bottom-line

There is a good reason why the Waves Renaissance Compressor still makes it to compressor plug-in rundowns years after it was released. Even with so many excellent plug-ins littering the market, the Renaissance Compressor still manages to command attention with its ability to be as transparent or as squashed as needed.

Now, you don’t necessarily want this to be the only compressor you have in your collection, and you definitely don’t want to pump all your audio tracks through it as a matter of course. But we would be lying if we said that the Renaissance Compressor didn’t have a place in every studio engineer’s arsenal.

Demonstration

Renaissance DeEsser

As we mentioned in the de-esser plugin guide, the Renaissance DeEsser is one of the best at reducing and eliminating the sibilant “ess” and “shh” sounds that can ruin a great vocal take.

Its ability to reduce unwanted high frequencies while preserving the audio quality is quite good, as it’s an accurate de-essing technology can handle sibilance in male and female vocals.

Specs and useful features

• Simple and effective removal of harsh sibilance from vocal tracks
• Ideally suited for recording, mixing, live sound, and broadcast
• Frequency-dependent dynamics control preserves original sound
• Simple adaptive threshold
• Adjustable gain reduction
• Phase compensated crossover reduces artifacts
• Audio and side-chain monitoring

User impressions

Most users of the Renaissance DeEsser have nothing but good things to say about this supremely useful plug-in. Cleanliness and transparency are among its most frequently-praised characteristics, although many users also attest to its ability to nuke sibilance aggressively without thrashing the source audio.

Some users did complain about the absence of an attenuation meter. Others felt that the graph doesn’t do an adequate job of displaying how much of the audio is being treated. Nevertheless, reviews are generally favorable for the Renaissance DeEsser. Many users even rely on it exclusively, even with many other de-esser plug-ins available on the market.

Bottom-line

In terms of quality, ease of use, and consistency, Renaissance DeEsser is classic Waves through and through. You simply can’t beat a classic, and this one definitely fits into that category. A very effective vocal de-esser that can also work wonders on cymbals, guitars, and other high frequency tracks, the Renaissance DeEsser is an essential add on to your set of studio goodies.

Demonstration

Waves Doubler

The simply-named, Doubler adds a doubling effect to source audio, making it sound bigger, wider, and more present in a mix. This particular plug-in more too, offering delay and pitch modulation effects as well. The Doubler is both a unique effects processor and a time-saver in the studio, negating the need for traditional double-tracking in most cases.

Specs and useful features

• Double-tracking and chorus capabilities
• Adds shimmer and presence
• Produces 1980s-style harmonizing and pitch detune effects
• Automatic vocal doubling
• Two-voice and four-voice capabilities

User impressions

Ease of use and efficiency are pretty much the most mentioned characteristics of the Waves Doubler, and it’s easy to see why. Making short work of turning even the most pedestrian solo vocals into angelic choirs, the Doubler is frequently praised for the ability to thicken and widen vocal tracks without introducing phasing.

Many users especially appreciate how much time they save in the studio by not having to record multiple vocal tracks. That being said, some users did feel that actually recording as many vocal takes as needed provides better results.

Bottom-line

The Doubler is a great way to add depth, width, and ambience to your vocal tracks. Although this won’t substitute for a meticulously-recorded array of vocalists–or even one or two vocalists recording multiple takes–it does have some charm and flavor of its own. Besides, for the price, you not only get a very capable vocal doubler, but a distinctive sounding plug-in that widens up most any sound source nicely.

Demonstration

Final thoughts – Which to Get?

Most of these plug-ins are so different from each other that it would be pointless to say which one is the “best.”

Suffice it to say, each one brings its own unique set of qualities to the table, and each could potentially find use in a studio setting.

That said, the CLA Vocals has to be mentioned as top choice for its convenient and extremely useful blend of multiple signal processors in one unit. There is also no denying how quickly and easily it can enable you to crank out radio-ready vocal tracks. For that reason alone, we would have to give the CLA Vocals top marks.

Both the Aphex Vintage Aural Exciter and the Vocal Rider stand in a class of their own, but for different reasons. The Aural Exciter is at the very least a modern-day classic, with its tone enhancing qualities having become essential for vocal polishing.

The Vocal Rider for its part does what most other compressors are unable to do so simply and so elegantly: control dynamic levels without adding nasty artifacts. Going solely by that, the Vocal Rider deserves special mention.

As for the Renaissance Compressor and the Renaissance Vox, both of these are quite capable plug-ins that will stand proudly with the rest of your audio processing tools. Even though they have been around for a number of years, there is life in these old dogs yet!

Finally, the Renaissance DeEsser–and certainly the Doubler–might not be quite as essential as all the other plug-ins mentioned. Nevertheless, they do have their uses, and at the price they are going for these days, it would be silly not to at least consider them if you are eager to have a full suite of vocal processing tools at your disposal.

When thinking of the human voice, we tend to overlook the fact that it is an instrument in and of itself. One which cannot be replicated no matter how hard we try. This unique attribute perhaps explains why there is a fairly limited amount of choir VSTs in the market.

Indeed, the profound vocal range of male Baritones, combined with the heavenly voice of female sopranos, can truly form the very essence of an entire production.

Several companies have now designed exceptional choir plugins with access to extensive collections. From Hollywood choirs, to children’s ensembles, these libraries will surely take any sinner back to church.

Without further ado, we have put together a list of the best choir VSTs available right now!

Top 8 Choir Plugins

1. Soundiron Mercury Boys’ Choir Elements

The first thing that comes to mind when describing Soundiron’s Mercury Boys’ Choir Elements is Pink Floyd. Remember the choir of boys singing in the background? Well that is exactly what this package offers. Think clear, crisp, light, yet rich vocals of a 25-boy professional ensemble, known as the Pacific Boychoir. Recorded in a large hall, the setting accentuates the ethereal sound the boys’ pure voices.

This VST includes sustains, marcatos, and staccatos, in addition to four primary vowels: Ah, Eh, Oh, and Oo vowels. You have the option to select these vowels to be played in piano, or forte with a 2x round robin variation. Also recorded chromatically with automatic tempo-syncing is the multi-syllable sustain or staccato latin words variances.

Again, similar to the other Soundiron elements, we see a multitude of audio elements ranging from built-in sound effects to sound-shaping parameters. These elements are meant to add an additional layer of sentimentality attached to the cinematic performance.

Pros

• Built-in Wordmaster system
• Proficient round-robin capabilities
• Dynamic and true legato vowels

Cons

• Requires significant CPU usage

2. Soundiron Requiem Light Symphonic Choir

Another choir VST option offered by Soundiron is the Requiem Light Symphonic Choir. All the choral sounds that you hear in this software were recorded at the San Francisco Montclair Presbyterian Church, and provide epic soundtrack composition and cinematic scoring. Indeed, the church’s architecture and structure played a huge part in helping the talented performers create a sound that is unique and powerful.

If you’re looking to produce ever-changing melodies that shift from fine and detailed, to rich and loud, then this just might be your golden ticket.

Similar to the Soundiron Olympus Choir Elements, the Requiem Light Symphonic Choir also uses the Kontakt Player engine to host a diverse library of true legato vowels, including but not limited to: single-syllable Marcato words, aggressive Latin staccatos, long poly-syllabic Latin sustains, standard staccatos, and the classic sustain. Additionally, as part of the Requiem Light you gain access to different sound design pads such as choral atmospheres, drones, and polysustains – all of which are considered amazing additions when creating ambiant songwriting pieces.

The way the user interface was built is pretty interesting. As opposed a top-down design method, Soundiron engineered it using a bottom-up method in order to facilitate real-time articulation switching and layering, parameter shaping, and section blending. Cherry on top? The Requiem Light includes a fully integrated phrase step sequencer! Not to mention, they included their modular FX rack – complete with 119 reverb spaces.

Still wondering if Requiem Light is right for you? Let’s simplify it. If your main priority is to create cinematic choral arrangements, then what are you waiting for? However, if your focus lies elsewhere, then it might not be the best match for you, so keep on reading!

Pros

• Solid interface
• Rich and dynamic sound
• Multitude of effects

Cons

• Another CPU Hog

3. EastWest Sounds Hollywood Choirs

The EastWest Sounds Hollywood Choirs is essentially a reformation of the EastWest Sounds Symphonic Choirs VST, with a specific focus on Blockbuster film scoring. Hollywood Choirs includes both male and female choirs, helping to bring about exceptional sounds that are bound to revolutionize any given piece.

Featuring an innovative software called the WordBuilder 2, Hollywood Choirs allows the musician to input phrases, words, or sentences that are then transformed into choral vocals sung by the choir. Amazing isn’t it? What’s more, is if you are not really sure of what you want the choir to sing, no problem! You actually have the option to choose from 781 pre-built and editable WordBuilder phrases in different languages from English, Spanish, Italian and many more.

Splurge on the Diamond Edition and are you are looking at 13 microphone user-controllable setups, which make a huge difference for virtual reality and/or surround sound performances, but you are also getting exceptional 3D soundscapes. This combination of elements will make your listeners transcend into another cinematic dimension.

When narrowing it down and comparing it to other VSTs, the EastWest Sounds Hollywood Choir is the perfect blend of flexibility and dynamic range.

Pros

• Wide range of male and female choral vocals
• Ingenious WordBuilder software
• A complete range of dynamics with mod control

Cons

• Lacks portamento Legato transitions
• Not beginner-friendly

4. Soundiron Olympus Choir Elements

Soundiron’s Olympus Choir Elements offers a powerful symphonic bundle of Mars Men’s and Venus Women’s choir collections. These collections were recorded at the San Francisco Montclair Presbyterian Church with groups of choirs made up of 30 men and 33 women. The result: over 45GB of Latin and Slavonic samples!

The fact that these collections are powered by Kontakt, makes it all that more appealing if you are a Native Instruments aficionado. The plugin also uses a wide and close stage microphone blend and covers all eight core vowel articulations.

By using divisi, you can easily rearrange and control the choir dynamics by separating the male and the female parts! Indeed, the combination of the pp-ff dynamic layering combined with the intelligent round robin gives you full command of all articulations including sustain, staccato, and marcato.

Additionally, the plugin’s choir sample library offers a multitude of innovative vocal effects that offer an improvement and/or alternative to the standard choral sounds. Some of these vocal effects include swells, sweeps, whispers, and shouts, among many others. What is more, the library’s performance presets can be configured by using the onboard EQ controls, and/or selecting from the 50 custom convolution reverbs.

All these powerful features make the Olympus Choir Elements VST more suitable for the music industry professional who wants a piece of software that enables them to have complete choral control.

Pros

• Extraordinary choral sounds
• Fully automatable interface
• Customizable

Cons

• CPU hog

5. Big Fish Audio Aeris: Hybrid Choir Designer

One of the main features of Big Fish Audio Aeris is that it meshes the voices of solo singers, with male and female backing choirs. All the performers were multi-sampled, using a range of different voices, including Ah, Oh, and Oo vocals, as well as hums.

Want to customise beyond simple vocal patches? There are a range of sound design tools available to help you build beautiful spaces and customise your choral sound. For a more distinct tone, there are four different LFOs that you can add modulation to. To help spread and mix your different layers, you can also use high pass, low pass, bandpass, volume, pan and pitch. There are dual sequencers that make the creation of complex patterns a breeze, as well as eight unique effects to help you shatter the sound design barrier.

Pros

• Customization features are endless
• Light on CPU!
• Envelope Controls for easy breezy mixing

Cons

• solo and choir vocals cannot be used in one instance of the plugin

6. Cinematique Instruments Interval – Les Femmes

Looking for uniqueness? You’ve come to the right place! Cinematique Instruments is one of the more exceptional choir VSTs out there. The carefully selected female voices of Insa, Mel, and Basiaa have created a detailed and delicately personal piece of software.

The plugin allows you to make use of the layering feature in order to bring about a more intimate choral experience. And while there are only 3 voices in this choir plugin, Cinematique recorded each of the female voices using different articulations – meaning the women use different intonations, inhalations, and intimate notes. However, when combined, the three voices bring into being the true essence of powerful choir vocals.

While you can undoubtedly use this VST within the cinematic, as well as choral circles, we highly recommend it for modern pop backing vocals, experimental mumbling, and/or textured vocal harmonies.

The built-in presets such as EQ, reverb, delay, attack and release, and an LFO make it easy to load up a patch and tweak it to your heart’s content. So if you are looking to compose more intimate, and flexible choral pieces, Les Femmes should definitely be on your list of choral VSTs to explore further!

Pros

• Unique feminine tones
• User-friendly
• High quality vocal recordings

Cons

• Does not work well with forte sounds

7. Strezov Sampling StormChoir Ultimate

While Strezov undoubtedly offers some of the most diverse and professional choral products available in the market, the StormChoir Ultimate is possibly one of our favorite. This 12-piece chamber choir includes six men and six women who were recorded separately in order to allow for greater flexibility during composition. And despite the fact that it is a chamber choir, the absolute intensity of the sound created is mesmerizing. Maybe this can be attributed to the fact that the choir focuses mainly on the Slavonic molto vibrato tone.

In fact, with 24 Slavic syllables to choose from, by accessing key switches or the onboard Phase Builder, you can put together such a unique choral sound that is clearly distinguishable from the standard Latin syllables found on most choir VSTs.

However, in our opinion, the stand out feature of the StormChoir Ultimate is the ferocity of the staccatos, suitable for composing eipic trailers. Lest we forget the sustain, which comes with an innovative “tighten” dial that proves to be quite useful for shortening samples, or strengthening the attack.

Although the StormChoir Ultimate user interface isn’t anything special, it is easy on the eyes and simple to operate. In other words, the way in which the tabs and buttons have been designed, helps in cutting down the time needed to find the adequate spaces for each of the layers. You can easily add additional samples to notes that are already played by using the “stack” button, which works well to thicken your tone.

We recommend this choir VST plugin to those seeking to compose more distinguished and intense masterpieces, that do not necessarily require the usage of softer sounds.

Pros

• Massive sound for a chamber choir
• Intuitive and practical GUI
• Unique Slavic sounds

Cons

• Vibrato on pianissimo samples can be distracting

8. Strezov Sampling Wotan Male Choir

Another choir VST we would like to highlight from Strezov is the Wotan Male Choir. This VST is considered to be one of the most revered sounds in the film industry – the Khazad-dum male choir, inspired by the Lord of the Rings soundtrack. Made up of ten tenors and ten basses, this VST is bound to add a touch of choral intensity to any movie score.

One of the features of Wotan is that it combines sample recording of phrase building for convenience with the fully customizable functionality of word building.. This option simplifies the creation of new sample content allowing you to build choral patterns, as well as connect different syllables, which can then be used to modify your very own choral compositions.

If that wasn’t enough: the Wotan Male Choir enables you to use the Agile Legato technique to play each and every syllable in the provided library using legato articulation – also known as Syllabuilding.

And the icing on the cake you ask? You can create polyphonic arrangements using intelligent voice leading. All you have to do is press a chord down on the left, and simultaneously play a melody on the right. You’ll notice that the legato transitions will immediately start to connect.

Pros

• Intense cinematic sound
• True legato for smooth and melodic movement
• Excellent word building features

Cons

• Limited syllabic range
• Manual is a bit too technical

Do I Hear Angels From Above?

Want to trick your listener into thinking that you spent thousands of dollars recording a hundred person choral ensemble? Then get one of the high quality choir VSTs on our list – that should do the trick!